Studies in Sobriety Poetics Donate.
         
  The straight strophes are human hands and feet, every line is a finger or a toe and equally it's both a hand and feetshake which entwines the cursive strophes as it holds a monsters claws. The grammatics was somewhere between. It felt like the right thing to put it there - but it always depends on the pressure,. Even if it's wrong - was it right for the moment there. It references many things - you may think of Lazarus, or the Monster from Notre Dame, or a variation of the Christ Myth where he is buried with Mary and they rise together.. It's difficult to explain without a common reference frame for it  

By Hands and Feet Bound.

 

 

 

 


 

In distance is gladness to be ---
    as time walks from our birth ;
unto deaths door neither see
whence it opens or closes
    was you beyond, I behind :

  Slain were we both, buried
As a cooperation without reply
   was arts lost, were we both :
   Initiative is a child in infancy,
as a lump is it torn, ripped apart
   by the lack of appreciation.

Hands, outstretched, fingers ---
    in its lines, wrinkles is writ ;
thoughts in veins inscribed
poetry of living as it lingers.
    art is in grasps firmness.

  By constraint of intellect,
Bursts of emotions into a tomb
   did we rise together then.
   As waves of orgasms upon
the sands of eternity was I'n'I
   the grains in the oceans.

By laughter, tears and toils ---
    as grammaticus confucious ;
to fill it with doubt and wonder
for in soil grew to be conscious
    until shook - trust ye now.

  There we stood outside
With a dead child in our arms,
   returned to no-existence,
   as nobody else cared of it
than the three of us, wrapped
   in the remnant bandages

As a slight bow of respect ---
    even for insults or wrath :
were letters tall, straight out
neither friend, foes wreath
    was by wrists made hearth.

       
 
         
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